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Antonia is a multi-talented engineer on the rise, currently crafting her unique sound as a writer and producer to be reckoned with. Her style explores a wide range of music, moving between the worlds of pop and alternative, and experimenting with all the weird stuff in-between.

  • Levels 2020 – One-on-One Audio Engineering Workshops

    Levels 2020 – One-on-One Audio Engineering Workshops

    MusicNSW is back with the 2020 Levels program: a one-on-one audio engineering workshop for women, trans and non-binary applicants. Levels 2020 will be held at Studios 301 on Saturday, 27 June 2020 and you can apply at musicnsw.com

    The hour-long workshops will be packed with personalised advice on producing and mixing your track, from world-class audio engineers Antonia Gauci (Will.I.Am, Kesha, DMA’s) and Georgia Collins (Birds of Tokyo, Body Type, Bachelor Pad).

    It’s a perfect opportunity to take your sound to the next level. Come prepared with your track session and your questions loaded up, and make the most of this rare learning experience.

    Applications are open until Friday 19 June!

    Image of Antonia Gauci above: Rik Saunders.

  • May – Recording Studios & Mastering Highlights

    May – Recording Studios & Mastering Highlights

    Studio & Recording

    Dean Lewis recording The Green Room podcast with Neil Griffiths

    Events

    • MusicNSW and 301 hosted the Levels Masterclass series in the studios on the 18th of May. This featured 4 x studios with over 50 students working across songwriting, production and mixing techniques with Milan Ring, Mookhi, Sparrows and Rebel Yell.
    • SIMA and ABC Classics hosted a live album recording for Julien Wilson‘s jazz quartet in Studio 1. There were over 110+ in attendance, with Owen Butcher facilitating a live record and stream to ABC radio.

    “Thank you so much for a seamlessly successful event for our Sydney Symphony Vanguard members program. I was so impressed by your professionalism, friendliness and accommodation of all of our requests. The event was well staffed and the team went out of their way to make us feel at home. […] It was a huge honour to hold an event in such an iconic space and we are so grateful for your hospitality at all stages of event planning.”

    Mihka Chee
    Sydney Symphony Orchestra

    Mastering

    • Leon Zervos has been working on new releases for The Veronicas, Jess Mauboy, Stan Walker, Jungle Giants, Montaigne, Slum Sociable, Cyrus, Sahara Beck, JEFFE, Fergus James and Dawn Avenue (Mexico).
    • Steve Smart has mastered music for Dean Lewis, Vance Joy, Spookyland, No Frills Twins, Oh Reach, Lakyn, RedHook, Abi Tucker, Danielle Spencer, Dande and the Lion, PLANET, and Ivey.
    • Andrew Edgson has worked on tracks for The Lulu Raes, The Laurels, Yeevs, Foreign Architects, Merpire, Black Aces, The Paddy Cakes, Noah Dillon, Jack Botts and Fatin Husna (Malaysia).
    • Ben Feggans has been mastering for Luboku, Oh My My, Emma Hewitt, Love Deluxe, Nick Cunningham and remixes for Alison Wonderland and Owl Eyes.
    • Harvey O’Sullivan mastered singles for E For Echo and Sarai.
  • September 2016 in the Studios

    September 2016 in the Studios

     

    Highlights of what’s been happening in the studios:

    • Nicole Millar in Studio 9 with Simon Cohen engineering
    • Illy in Studio 9 with Simon Cohen engineering
    • Horrorshow in Studio 9 with Simon Cohen engineering
    • Japanese Wallpaper in Studio 1 with Antonia Gauci engineering
    • Jonti in Studio 5 working on his new project Midnight Mutants with Jack Prest mixing and producing
    • Chong Lim in Studio 1 with Guy Gray with engineering and Owen Butcher assisting
    • Middle Kids, Gang of Youths, Steve Kibley and Thelma Plum in Studio 1 for XPN World Cafe live recording with Owen Butcher engineering and Dave Taylor assisting
    • The Jezabels in Studio 1 for Pandora Live Sessions with Owen Butcher engineering and Antonia Gauci assisting
    • Sydney Childrens’ Choir in Studio 1 with Antonia Gauci assisting
    • Gideon Benson working with Jack Prest producing
    • The Veronica’s in Studio 2 with Dan Frizza assisting
    • Anatole in Studio 4 with Antonia Gauci engineering
    • Omar Musa in Studio 5 cutting vocals with Jack Prest
    • Crooked Colours in Studio 6
    • Derrick Hodge listening party in Studio 1
    • Sound Design by Jack Prest for Dark Water – Installation Experience a part of The Unconformity festival in Queenstown Tasmania
    • String soundtrack for the SBS documentary Deep Water recorded by Guy Gray and Owen Butcher

    Follow Studios 301 on Instagram @studios301

    bts

    A photo posted by Horrorshow (@horrorshowcrew) on

     

    BEWARE. A photo posted by total dork (@antoniagauci) on

     

  • Women In Electronic Music Masterclasses

    Women In Electronic Music Masterclasses

    On Saturday 13th August Studios 301 hosted Music NSW for Women In Electronic Music Masterclasses, with our very own Antonia Gauci leading the Engineering Basics masterclass in Studio 1. Also on the bill we had Looping and Pedals with Rainbow Chan and Songwriting Basics with Buoy. The day was a great success with inspiring and talented students and teacher coming together sharing ideas and practices.

    Thank you all who applied and attended. Follow Music NSW for further announcements and classes/panels/events to come.

     

     

     

     

     

  • Antonia Gauci – Producer on the rise

    Antonia Gauci – Producer on the rise

    Since we last checked in with Antonia Gauci her work on Tinker’s single “Fill The Field” was getting some major kudos from triple j’s Richard Kingsmill.

    Since then she’s gone on to work and create with artists such as LISHI, Vallis Alps, Jays Ways, Anatole, Kimchi Princi, and continues to cultivate her sound as an engineer, writer and producer to be reckoned with.

    This month, as well as being part of our exclusive Independent music package promotion, Antonia is a featured presenter for the upcoming Women In Electronic Music program, giving her very own masterclass at Studios 301.

    We had a quick catch up with Antonia between sessions to talk about her current buzz.

    You’ve got a masterclass coming up this month as part of Music NSW’s Women In Electronic Music program. Can you tell us a little more?

    Antonia: I’m really excited and a little nervous as this is my first one! I’m currently liaising with Hannah and Emm from Music NSW and we’re putting together something really cool for the applicants. The basis of the masterclass is engineering basics, but I’m hoping I get to go deeper than that. I’m looking forward to showing everyone how the studio works and my recording/working process.

    How was the buzz from the last Tinker single you worked on?

    Antonia: I believe it showed what I can do as a Mix Engineer and also portrays the type of sound I’m going for at the moment. It was a refresher in people’s minds about what I’m doing/working on and it’s really opened me up to people in this genre because they’re now even more aware of my mixing (and engineering) skills.

    Since then I’ve also mixed Tinkers remix of Woode’s track “Daggers & Knives” and we’ve continued to talk about finishing off more music together.
    Various artists have gotten in contact about collaborating which is super cool. People seem to like what I’m doing!

    A standout track I’ve been working on is one with an artist called LISHI. I’ve been involved in the creative process from the ground up, writing alongside her, co-producing and mixing the track. I’m excited for its release ‘cause this project has helped me realise what sounds I like and the direction I definitely want to head in with my production.

    So what is it that you really like working on?

    Antonia: Someone asked me this recently and the answer I gave was “anything that makes me feel”. If I hear something in its early stages and it gets a reaction out of me then I’m hooked and would love to continue to work on that. Harness that energy, increase it ten fold – make it big, make it lucious, make it slick.

    How does it feel for people to be seeking you out to do more engineering and producing?

    Antonia: It’s satisfying! Having spent so long working towards this goal, it’s great to be seeing the shift and making the transition into more recording, writing, mixing, producing and creating. I’ve had some really phenomenal projects come my way recently and when they are released I hope they do really well for the artists and myself.

    For more information or for bookings please contact us.

    Women in Electronic Music

    A photo posted by @studios301 on

    A photo posted by total dork (@antoniagauci) on

    A photo posted by total dork (@antoniagauci) on

    A photo posted by total dork (@antoniagauci) on

  • In the studio highlights –  May/ June

    In the studio highlights – May/ June

    Some highlights of who we’ve had in the studios recently:

    • Bone Thugs & Harmony – Recording in Studio 2, assisted by Dan Frizza
    • Sarah McLeod – Recording in Studio 1, assisted by Antonia Gauci
    • Nicole Millar – Vocal recording with Simon Cohen in Studio 2
    • Jack Colwell – Recording with Tim Carr in Studio 1, assisted by Antonia Gauci
    • Horrorshow – Vocal Recording with Simon Cohen in Studio 2
    • Hayden Calnin ‘Cut Love Pt 2’ album – Co-produced & mixed by Tim Carr, mastered by Andrew Edgson
    • DMA’s ‘Spotify Session’ live acoustic – Recorded & mixed by Simon Todkill, mastered by Andrew Edgson
    • Mere WomenGold Class/Mere Women‘ split 7″ – Recorded & mixed by Tim Carr
    • Eddie Boyd ‘Stoned’ single – Produced & mixed by Tim Carr
    • Bjork – In Studio 1
    • Kita Alexander – Writing & mixing in Studio 2
    • Vallis Alps – Recording with Antonia Gauci in Studio 2
    • Jess Kent & Nicky Night Time – Writing in Studio 2 & Studio 6
    • Illy – Vocal recording with Simon Cohen in Studio 1
    • Paul Conrad ‘The Rest Of Your Life’ single – Co-Produced & mixed by Tim Carr

    Kita Alexander

    @kitaalexander and @dannhume making some new sounds in Studio 2

    A photo posted by @studios301 on

    Sarah McLeod

    We have Sarah McLeod in studio today working on new music!!! cred @sarahmcleod1

    A photo posted by @studios301 on

    Nicole Millar

    Nicole Millar x Simon Cohen Studio 2 cred @nicolemillarmusic

    A photo posted by @studios301 on

    Jack Colwell

    Good to be back! Something extra for your ears, soon. 😉 x

    A photo posted by Jack Colwell (@jvckcolwell) on

    Horrorshow

    More visions

    A photo posted by Horrorshow (@horrorshowcrew) on

    Vallis Alps

    Mid-tour recording Can’t wait to share our new stuff with you

    A photo posted by Vallis Alps (@vallisalps) on

    Jess Kent

    Shweet shpot @nickynighttime @samlamore

    A photo posted by ❋Jess Kent Touch This❋ (@jesskentmusic) on

    Nicky Night Time

    Back at it

    A photo posted by NickyNightTime (@nickynighttime) on

    Illy

    STUDIO VIBEZ

    A photo posted by illy (@illyal) on

    Paul Conrad

    want a shake? @reeldeeprecords #studio #music #reeldeep

    A photo posted by Paul Conrad (@thepaulconrad) on

  • KICKING WRITER’S BLOCK IN THE A$$

    KICKING WRITER’S BLOCK IN THE A$$

    11 Tips For Unblocking the Writer’s Block

    For many years as a songwriter, it never dawned on me that thousands of other songwriters were in the same predicament. That of being alone in my bedroom with instrument in hand, bent over a piece of paper, toying with phrases and melodies only to quickly abandon them and stare at the wall for a particularly long period of time. Like many other songwriters, I also share the desire to sit down, reflect, then create a soundtrack to that feeling. The process may vary between us, some of you may not stare at the wall as much as I do. Some of you may not even find the paper, however there is fundamental element in us that is the same. Aside from this comforting thought, the songwriting process can sometimes be a tormenting one. Here are some tricks I use to help push me to the finish line.

    1. Name it

    Creating a title for a song often leads to the song simply writing itself. If the juices aren’t flowing however, try looking through magazines where you can find interesting play on words or hyperboles. If magazines aren’t your bag, head to your local book store and straight to P for poetry. Draw from poetry titles. You’ll often find just entering a bookstore will inspire.

    2. Gather what’s around you

    Be in the moment and listen to the passing conversations around you. The random one-liners are often priceless. Play with these phrases and make up stories about the passers-by.

    3. Carry your tools

    You never know when inspiration may strike, so make sure you have your pen and paper on your person at all times. Record ideas on your phone too. Recording all ideas will make you realise your creativity is not as stagnant as you think.

    4. Keep it all

    Hang on to all your little ditty’s. That suitcase of ideas may come around and take you somewhere unexpected. Try not to be harsh on those ideas. They are all leading to something.

    5. Write all the time

    Keeping it constant will ultimately ease the creative process. It builds familiarity with yourself as a songwriter and an artist. Accept the good, the bad, the stunningly beautiful, and obscenely grotesque. Writing consistently  keeps you working on what is inspiring you at any given moment. It doesn’t even matter if it fits your style.

    6. Know your patterns

    If you’re feeling blocked, it’s not because you don’t hear anything. It may be because you’re reverting to your old patterns in songwriting. Using the same phrases, chord progressions, lyrical content, so on and so forth. Identifying this is a useful step into breaking the regime.

    7. Be kind to yourself

    Self criticism can really get you down when trying to write a song. It’s only fear and it can be turned off. What’s the reason behind the fear? Is it because you think it’s not good enough?  If you’re present and honest while writing that will always translate. Authenticity is key.

    8. Ask for a helping hand

    If a song has reached a point where it can go no further, don’t be shy in asking for help. Give yourself a timeframe to finish it solo, and once you’ve passed that point, reach out. Collaborating is always a learning curve.

    9. Pick up another instrument

    Find inspiration on a new instrument. The less you know how to play it, the better. Put yourself out of your comfort zone and mess around on something new. Drums are particularly good for finding new ideas.

    10. Have a break, have a Kit Kat

    Walk away for a while, eat something, make a tea. Listen to music, read something or go for a walk. I personally wouldn’t recommend turning on the TV. That’s often a downward spiral.

    11. Draw ideas from your fave’s

    Put on your favourite song and jam along with it. This sparks inspiration for all sorts of musical ideas, from chord progressions, song structures, dynamics and lyrics. All artists appropriate from each other. Your interpretation makes it your own. I  also asked some of our engineers and resident artists what there  thoughts are on overcoming writer’s block.
    Antonia Gauci, resident Studios 301 producer / engineer / songwriter, shared her thoughts:

    “I collaborate with other people. I take things outside. The other day I went for a walk in the bush with my friends and took a mini recorder. I meditate. I get off social media. The biggest thing is to try not to put so much pressure on yourself, and don’t be afraid to make an idiot of yourself!”
    Cam & Joey from GLADES, EMI’s most recent signing and 301 production studio tenants, had this to say:
    “Keeping the space and environment that you are in creative is most important. There’s so many times where you hit a wall and that’s the time where you have to break. It’s time to play table tennis, and go for lunch. We normally take about 2-3 breaks per day, it’s really important to refresh your mind. If we had to summarise it would be to go and do something that’s not writing.”

  • Engineer feature – Antonia Gauci

    Engineer feature – Antonia Gauci

    With mixing skills that have recently been referred to as taking the track to “boss level bad assery”, 301 Assistant Engineer Antonia Gauci has her sights set firmly on making her mark in the music industry. Having already worked with some impressive names including Alison Wonderland, Cold Chisel, DMA’s, Sticky Fingers and Will.i.Am, it’s Antonia’s most recent work on TINKER’s debut which has been turning heads.
    We caught up with the budding Engineer, Producer, Mixer and Songwriter to talk about the buzz on her most recent work and what’s next…

     

    Triple J music director Richard Kingsmill recently gave the TINKER song you mixed “Fill The Field” some massive support. How does that make you feel and how did that project come about?

    TINKER is a friend of mine, and ex 301 intern Chris Bristow. Chris and I met at a rehearsal space a few years ago and he’s been sending me music and demos ever since. While in Peru I was sent one titled “Slither”. I thought the first batch were still pretty raw so I told him to send me more stuff. A month later he sent through another version which he’d fleshed out and we co-wrote the topline going back and forth via the internet. 12 weeks later it was mixed, mastered and all ready to go. Seeing such a positive response for three unknown people who just made a track is kinda surreal. We didn’t expect to see this big of a support so early, especially from the J’s, so hopefully things continue to be a steady rise for TINKER.

    What are some of the projects you’ve got on the horizon?

    I’m currently working on a few different things…  There’s another lot of TINKER tracks to finish off – recording, mixing, plus a remix. Anatole is working away on his debut LP recorded a string quartet and piano for a few tracks that may end up on it. I’ve been helping Giselle Rosselli with her vocal tracking, she’s an unbelievable singer and songwriter. A debut single from Las Vagueness is due super soon which I engineered, produced & mixed. Plus an EP to finish off with him. Dylan Adams and I just tracked a rekkid for Oslow over the Easter long weekend which is red hot. Oh, and I’ve been involved in some writing with Halite and Top8Drama. They’re all pretty deluxe projects!

    Seems like there’s plenty of releases pending. How do you get involved in these cool projects and how can people find you?<

    I’m fortunate to be friends (or a relative) with these uber talented people, so the projects have come about via friendship, word of mouth, meeting people in sessions, FBi Radio, or simply by approaching artists I want to work with. Projects come through the 301, but I can be reached through my online presence through Instagram, Facebook or my website, antoniagauci.com

    What is your role at 301 and how did you get here?

    I’m an Engineer/Assistant Engineer. I plug in all the gear you desire and help you run the spaceship for your recording and online mixing projects.  I’m also working my way up through the ranks, taking the lead on more of my own creative projects – engineering, producing, mixing and co-writing.

     

    I first came to 301 through Eric J, who I met when interning/ assisting at BigJesusBurger (RIP).

    I got to know the team while working on the first 2 seasons of The Voice, and after freelancing and assisting at the majority of Sydney’s major studios (for the most part of 2 years), I was offered some casual work at 301. I was assisting casually until I was there all the time, and in 2014 I became a full time part of the team.

    What gets you excited in the studio?

    I find tracking to be exhilarating, especially if it’s vocals, guitars or synths, when we’re filling out the bare bones of the song. I also like experimenting with sounds. I reverse, pitch up and down, reverb and delay the bits and pieces and then repeat the process. If I can make something sound weird or learn something new then I’m super excited! And when I’m really into it I get this nervous energy and will dance in the control room.

    How does working at 301 fit into your life and activities outside of 301?

    301 does take up most of my time (being full time) but they’re flexible and understanding when it comes to my touring/show playing, writing, DJ-ing, radio presenting, ridiculous commitments.
    I like to create everyday if I can. 301 are generally the ones who tell me I should be taking 1 or 3 days off.

     

    For more information or for bookings please contact:
    Abbey Smith
    Studio Manager

     

    Links:

    Antonia Tinker2

    Antonia Tinker3

    Antonia Tinker4