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The studios have been abuzz over the last couple of months with November 16th– 20th seeing Studios 301 host the coveted week-long “50 Songs in 5 Days” writing camp. In its fourth year, the camp run by Specific Music and APRA, had over 100 top local and international songwriters, producers and artists come together to collaborate and […]

Studios 301 had a strong presence at the inaugural Australian Music Week music conference, held in Cronulla from November 18th– 22nd, with key team members featured as panellists among some of the most influential people in the Australian music industry. In particular, the “Do You Need A Producer” panel was moderated by Studios 301 and […]

Loudness Part 2 In the second part of this blog on loudness I’m going to delve more into metering and dynamic range in order to compare your music to other releases. Level Matching I often receive feedback from people that their track doesn’t sound like it has the same low end impact and presence as […]

Creating width in your mixes. By Sameer Sengupta A lot of producers I meet are very interested in getting ‘width’ into their mixes, but there’s a common mistake that I frequently encounter in the mixes I’m sent for mastering. All too often, the producer’s obsession for width sees them dragging ‘stereo widening’ type plugins onto nearly every channel, to… […]

Mixing with your Mastering Engineer By Steve Smart To book Steve for your mastering project, contact Lynley on 02 9698 5888 or mastering@studios301.com. In most mastering situations, stereo mixes are used for the final mastering session. But sometimes I go a little further than that…  And the producer or mixer brings in their computer, with […]

  Analogue Vs Digital Part 2 – Synths and Drum Machines Read Part 1 Here For part two of the Analogue versus digital shootout we will be comparing (arguably) the worlds most famous drum machine, the Roland TR-808 with its software equivalent inside Ableton, and the monstrous Korg MS-20 with its software MS-20 from the Korg Legacy collection. […]

  Loudness Part 1 One of the most common questions people ask a mastering engineer is “why is my track not as loud as everyone else’s?” In this article I’m going to explain in simple terms how humans perceive loudness and how it can be measured accurately.  Since the early Motown days of pressing vinyl, […]

Analogue Vs Digital Part 1 – Custom 75 Console Demo To book Jack for your next project, contact Danielle on danielle@studios301.com or 02 9698 5888 The analogue versus digital debate is always sure to draw some strong opinions. On the one hand champions of the old school will wax lyrical about the magic of analogue equipment and tape recording, while […]

To book Leon for a mastering session, contact Lynley via mastering@studios301.com or 02 9698 5888. Help me make your mixes tighter. If you can make your mixes sound tighter when you are mixing, then I can take it the next level when mastering. If you listen to the old vinyl “sound” that everyone loves, one of the reasons it […]

To book Ben Feggans for a mastering session, visit our Online Mastering Booking page. Dangerous BAX verses UAD BAX – Shootout. The Dangerous BAX EQ was released in 2009 and is based on the famous “Negative Feedback Tone Control” by P. J. Bandaxall designed in the 1950s. This circuit is used in many hi-fi equipment bass and treble […]