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Chris Arnott joins the Studios 301 team
For those of you well acquainted with the Australian dance music scene, you’d know Chris Arnott for his consistent ability to produce &/or write an ARIA Club charting hit. For those uninitiated, please read on and meet the newest addition to our Studios 301 producer roster. Chris is one of Australia’s most formidable electronic producers […]
https://studios301.com/chris-arnott-joints-studios-301-team/
About Studios 301
The Studios 301 History 2018 New Multi-Million Dollar Facility Grand Opening Dr. Tom Misner committed to a multi-million dollar ground-up reconstruction and relocation project that took 16 months and an incredible 134,000 hours of labour to complete. The result is a no-compromise studio that now ranks as one of the top five studios in the […]
ENGINEER FOCUS – ANDREW EDGSON
Andrew Edgson is one of Studios 301’s new generation of mastering engineers. Over the last 10 years he has mastered for Aria Award winning and multi platinum selling projects including Matt Corby, Sarah McKenzie, Vance Joy, and The Griswolds just to name a few. Recently he has been working with a whole swag of tastemaker […]
Creating punch and width in your mix
Creating width in your mixes. By Sameer Sengupta A lot of producers I meet are very interested in getting ‘width’ into their mixes, but there’s a common mistake that I frequently encounter in the mixes I’m sent for mastering. All too often, the producer’s obsession for width sees them dragging ‘stereo widening’ type plugins onto nearly every channel, to… […]
https://studios301.com/creating-punch-and-width-in-your-mix/
Jack Prest on Analogue Vs Digital – Part 2
Analogue Vs Digital Part 2 – Synths and Drum Machines Read Part 1 Here For part two of the Analogue versus digital shootout we will be comparing (arguably) the worlds most famous drum machine, the Roland TR-808 with its software equivalent inside Ableton, and the monstrous Korg MS-20 with its software MS-20 from the Korg Legacy collection. […]